Hello again, jazz fans! It’s been colder than ever at our New York office, but that’s not slowing us down — in fact, we’re back with another update this week.

Our [minus-you] tracks for Brian Lynch’s Unsung Heroes project were such a hit that we thought we’d release some more! Musicians of any instrument can play along with a professional ensemble on our [minus you] series, with custom tracks for each instrument. This week, we’re releasing The Plain But The Simple Truth, a quirky and catchy Lucky Thompson blues. If you’re looking to kick back with a great recording, be sure to also check out our exclusive audio track of rising bass star Daryl Johns, recorded specially for jazzleadsheets.com.

This week, we’re celebrating the collaboration between Blue Note and legendary trumpeter Kenny Dorham with two K.D. releases: Philly Twist and K.D.’s Motion. Philly Twist, from the “Whistle Stop” album and written for Philly Joe Jones, is distinctive for the strong rhythmic drive in the head that’s propelled by the syncopated rhythm section hits. K.D.’s Motion, from the “Afro-Cuban” album, is a more laid-back take on the blues, but like Philly Twist, it shows what a genius Dorham was at writing unusual, intriguing rhythms for his melodies.

If you’re looking for a pick-me-up to your winter blues, try Rahsaan Roland Kirk’s My Delight. As the title suggests, this medium-up swing is sweet, happy, and thoroughly appealing. A contrasting Latin groove in the B section adds some intrigue to the head, making it an all-around winner.

Vocalists, check out Baby, I’m Coming Home, a charming blues with music and lyric by guitar master Chuck Wayne. If you’re looking for a piece with a classic sound but are sick of overdone standards, you’ll love this chart!

Finally, we have another transcription for our drummers — Billy Drummond on A Peck A Sec from trumpeter Jim Rotondi’s recording of the Hank Mobley classic. This chart shows Billy’s mastery of the straight-ahead tradition and his fantastic soloing as evidenced on the trading section. On this recording, Billy really locked in with bassist Dwayne Burno, who very tragically passed away in December. Listening to this recording again reminded us how talented and special Dwayne was. He is sorely missed by the jazz community.