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Born Jonathan David Samuel Jones in Chicago, Illinois, Jo Jones got his start playing drums and tap-dancing in carnival shows in Alabama until joining Walter Page's band in Oklahoma City in the late 1920s. He, along with Walter Page and Freddie Green, joined Count Basie's band in 1934. That rhythm section would forever change the sound and feeling of jazz.

Art Farmer has long been admired for his lyrical playing. He started on trumpet, then switched to flugelhorn, helping to popularize the instrument. Eventually , Art played the Flumpet, a Flugelhorn-Trumpet combination that was especially designed for him. He played professionally since the 1940s, and started recording in bands at 19 years of age in 1948, when he played in the bands of Jay McShann, Benny Carter, Gerald Wilson and others.

A beloved pianist with one of the most easily recognizable styles, Bobby Timmons is responsible not only for bringing his unique gospel-tinged voice to the piano, but also for his funky compositional masterpieces that have become jazz standards, like Moanin’ and This Here (‘Dis Here). These two are by no means the only memorable original works of Bobby’s—nearly all of his works are instantly recognizable as a Bobby Timmons original, as they all have his signature style of soul, funk, and gospel, all while still maintaining the hallmarks of true hard-bop jazz.

A tragic loss to the world of jazz at age 23! Hearing is certainly believing: in Booker's short life, he still was able to leave us with recordings and compositions that are guaranteed to astonish and captivate. His effortless-sounding virtuosity as a trumpet player ranks him as one of the greatest trumpet players. He was also a gifted composer, who obviously took composing very seriously, as his recording output shows. Booker began on trumpet when he was 12 and played with Johnny Griffin and the MJT + 3 while attending the Chicago Conservatory. He worked with Max Roach (1958-1959) and then freelanced in New York. He recorded with Roach and Abbey Lincoln, was on John Coltrane's Africa/Brass album, and was well-documented during a July 1961 gig at the Five Spot with Eric Dolphy. Booker Little led four sessions before his tragic early death. 

Bruce Acosta is an up and coming guitarist based in New York City. Born in Dubai, he grew up in Canada, Australia and Minnesota, picking up the guitar at age seven. As a high schooler, Acosta was selected for the Brubeck Summer Jazz Colony and the Minnesota All-State Jazz Band and recognized as a National YoungArts award winner.

Butch Warren's discography speaks for itself, ranging from recordings with Herbie Hancock, Dexter Gordon, Joe Henderson and Donald Byrd, to name but a few. His began playing professionally at the age of 14 in his native Washington, D.C. with his father, Edward Warren. After becoming one of the most in-demand bassists in D.C., Warren moved to New York City in 1958 to where he quickly became recognized by Jackie McLean, Kenny Dorham and a long list of other contemporary musicians and producers.

Drummer Persip grew up with jazz legends tenor saxophonist Hank Mobley and pianist Walter Bishop, Jr. in New Jersey. He got his start professionally playing with Tadd Dameron around the New York/New Jersey area in 1953, but became widely known for his work with the Dizzy Gillespie Orchestra and Quintet (1953-1958).

Hailed as one of the most brilliant trumpeters of his generation by audiences and musicians alike, Clifford Brown remains a legend to this day. His story is still the ultimate jazz tragedy. At age 25, he was a trumpet player who had everything going for him: an incredible sound, dazzling technique and ideas, and a great compositional gift, but a fatal car accident ended his just-budding career five years in.

Gigi Gryce was a fine altoist in the 1950s, but it was his writing skills, both composing and arranging (including composing the standard Minority) that were considered most notable. After growing up in Hartford, CT, and studying at the Boston Conservatory and in Paris, Gryce worked in New York with Max Roach, Tadd Dameron, and Clifford Brown. He toured Europe in 1953 with Lionel Hampton and led several sessions in France on that trip.

In 1953, Hank Mobley started his jazz recording career with dates for Dizzy Gillespie and Max Roach. He continued playing and recording with Dizzy Gillespie through most of 1954. November 13, 1954, marked the first recording session of a new co-operative quintet called "The Jazz Messengers." The founding members of "The Jazz Messengers" were Kenny Dorham (trumpet), Hank Mobley (tenor sax), Horace Silver (piano), Doug Watkins (bass) and Art Blakey (drums). Horace Silver had the record deal with Blue Note records at the time, so the first 10" issue of this session came out as the Horace Silver Quintet. On February 6, 1955, the group did another 10" session which was first was issued as the Horace Silver Quintet, Volume 2.

The inventive and iconic pianist Herbie Hancock has a career that spans multiple decades and many genres. Not unlike his mentor, Miles Davis, Herbie has inspired new horizons in jazz music through his own transformations as an artist. An early piano prodigy who performed a piano concerto with the Chicago Symphony Orchestra at age 11, Herbie began jazz piano in high school. His career began when he was discovered by Donald Byrd in 1960. Soon after, he was signed to Blue Note as a solo artist. In 1963, he released "Takin' Off," which included his famous composition Watermelon Man.

Horace Silver is the pianist on the recordings of the songs shown above. We've written out Piano Comping Voicings á la Horace Silver for these titles. Click on the song title then on the Piano Corner tab to see details.

Duke Ellington's favorite guitar player, Kenny Burrell has influenced musicians worldwide. His career spans from his first recording session with Dizzy Gillespie at the age of twenty to his current job as head of the jazz program at UCLA. Originally from Detroit, Burrell has played with many of the greats in both the jazz and pop fields, from John Coltrane to Tony Bennett.

Trumpeter/composer Kenny Dorham was very much on the jazz scene from the mid-1940s through most of the 1960s. He worked and recorded with all the major figures in the modern jazz movement, which includes the legendary Billy Eckstine big band, Dizzy Gillespie, Art Blakey, Bud Powell, Charlie Parker, Thelonious Monk and Max Roach as well as Kenny Clarke, Sonny Stitt, Fats Navarro, J.J. Johnson and many other giants of that period.

Kenny Drew was born in New York City. He studied classical piano but soon turned to jazz. His recording career started in 1950 at age 22, first with Howard McGhee for Blue Note, then Sonny Stitt for Prestige. These two 1950 recordings plus a surviving radio broadcast with Charlie Parker (December 8, 1950) put him in the company of jazz greats J.J Johnson, Max Roach and Art Blakey.

A forward-leaning yet strongly swinging modern pianist, Cochrane studied with the noted Boston-based piano teacher Madame Margaret Chaloff (mother of Serge Chaloff) and the inimitable Jaki Byard. In a fruitful career, he has performed and/or recorded with saxophonists Michael Brecker, Sonny Fortune, Oliver Lake, David Schnitter and Chico Freeman and trumpeters Clark Terry, Valery Ponomarev, Jack Walrath and Ted Curson; also bassist Eddie Gomez, as well as many others.

Born Joseph Rudolph Jones (July 15, 1923, in Philadelphia, PA), he dubbed himself "Philly Joe" to avoid confusion with the legendary drummer Jo Jones (also known as "Papa Jo" Jones). Unlike many jazz artists who started their careers by going on the road in their late teens, Philly Joe, at 18, joined the U.S. Army (1941) and remained in the Army until 1947. Soon after leaving the service, he moved to New York and joined Joe Morris's rhythm and blues band. His first recording (at age 25) was with the Morris band (September 19, 1948).

Following performances in his native Philadelphia with guitarist Tiny Grimes and as house pianist at the Blue Note Club with Charlie Parker, Lester Young, Miles Davis and others, Ray Bryant came to New York in the mid-1950s. His first jazz recording session in New York was with Toots Thielemans (August, 1955) for Columbia Records. That session led to his own trio sessions as well as sessions with vocalist Betty Carter for Epic Records in May and June ("Meet Betty Carter and Ray Bryant"). On August 5, 1955, Ray recorded with Miles Davis, and on December 2, 1955, with Sonny Rollins, both for Prestige Records. On April 3, 1956, Ray started his "Ray Bryant Trio" album for Epic Records, which contains his own first recording of his classic title Cubano Chant. Cal Tjader had recorded Cubano Chant earlier, on November 11, 1955, on Fantasy Records.

A remarkable composer and pianist whose special touch and articulation makes him instantly recognizable at the piano, Sonny (Conrad Yeatis Clark) was born in Herminie, PA, a small mining town 60 miles from Pittsburgh. He started piano at four, and at six was featured playing boogie-woogie on several amateur hour radio programs. He spent his teenage years in Pittsburgh, playing vibes and bass in high school as well as being featured on piano. He went to California in 1951 with his older brother, also a pianist, and worked in both San Francisco and Los Angeles, starting his recording career at age 22 in February, 1953, with Teddy Charles.

Arguably the most famous jazz guitarist of all time, Wes Montgomery has had a lasting impact on guitarists of all genres. Known for his stunning chord solos, signature use of octaves and velvety tone—which he achieved by picking with his thumb—Montgomery’s guitar work is instantly identifiable, whether leading his own bands in club settings, adding textures as a sideman or soloing atop an orchestra.