News

  1. Hot this summer: new composers and big changes

    Hot this summer: new composers and big changes
    We’re gearing up for some exciting new changes. In late summer/early fall 2014, you’ll be seeing an entirely new look for jazzleadsheets.com, with completely new, intuitive browsing features; a modern, responsive design; and best of all, mobile capabilities — so you can find the music you love no matter where you are! Don’t worry about your account information: it will...
  2. Spring is in full swing at jazzleadsheets.com

    Several years ago, Second Floor Music started putting out sextet arrangements that were recorded by the exciting group “One For All.” Two of the prominent writers in that group are Eric Alexander and Jim Rotondi who started recording together in 1996, a year before “One For All” officially recorded its first album. Eric and Jim have enjoyed writing compositions together...
  3. New lead sheets in April

    Ready for some exciting news? As you might remember, our last group of leadsheets brought on two new composers to jazzleadsheets.com. It was such a hit that we’re keeping the new artists coming with two more this week: MELBA LISTON and ROY HARGROVE! Melba Liston, trombone virtuoso and composer-arranger extraordinaire, joins the roster with the gorgeous ballad Just Waiting. Honest, plaintive, and emotional, this...
  4. April showers bring new composers

    It’s a new month, a new batch of lead sheets, and most exciting of all, two new composers added to our roster! We’re very excited to be welcoming GEOFFREY KEEZER and VALERY PONOMAREV to the jazzleadsheets.com family. These two virtuosos represent all that is great about the jazz scene today — not only are they two of the most talented musicians on...
  5. New in March

    We’re back with another batch of new releases! This week, we’re featuring the compositions of some of our favorite pianists of yesterday and today. From hard bop to modern jazz, these pieces are sure to inspire and excite you, no matter what instrument you play. LOW TIDE by Elmo Hope: An unconventional swing with an easy melody but a surprising harmonic progression...
  6. Hank Mobley in February

    We hear “Keep the Hank Mobley coming!” from jazzleadsheets customers. As we continue with our celebration of Blue Note Records 75th year, we find that February was a big month for Hank Mobley as a leader. We already have four titles available from Hank’s classic "Soul Station" album (recorded on February 7, 1960). Now we’ve added Third Time Around to...
  7. It's cold out there -- stay in and practice!

    Hello again, jazz fans! It’s been colder than ever at our New York office, but that’s not slowing us down — in fact, we’re back with another update this week. Our tracks for Brian Lynch’s Unsung Heroes project were such a hit that we thought we’d release some more! Musicians of any instrument can play along with a professional ensemble...
  8. Lots of news for the new year!

    Have you noticed all the latest developments on jazzleadsheets.com? 2014 has barely begun, but it’s already proving to be a huge year for us! If you haven’t been on our site in a while, check it out — you’ll see some new categories, with even more exciting changes to come as the year goes on. At the beginning of this...
  9. Introducing MINUS YOU: a brand new way to practice

    It’s been busy here in our New York office — on Monday, January 6, we celebrated Blue Note’s 75th anniversary with two Meade Lux Lewis piano transcriptions (Melancholy / Solitude) which comprised BN-1, the actual first Blue Note release. On Wednesday, January 8, we celebrated the anniversary of the recording of Kenny Burrell’s classic Blue Note album Midnight Blue. Today we’re back with...
  10. 51 Years Ago Today: "Midnight Blue"

    January 8, 1963: Kenny Burrell’s “Midnight Blue” album was recorded in Rudy Van Gelder’s Englewood Cliffs studio, featuring the title track which was an instant classic, Midnight Blue. Rudy says, “I built the studio for music like that, where people are comfortable playing and the music fits the space that they’re playing in.”
To Top