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The rhythm section starts Biru Kirusai with a Latin rock groove laced with a bit of funk. This composition has a hard-hitting melody that is punctuated with short, staccato phrases, adding to the rock feeling of the piece. It's essential to really lock in with the rhythm section on a groove piece like this, so make sure to check out how the Cory Weeds quintet plays together on their recording.
Rhythm section players should use the C Condensed Score.
Although this composition was written in a Latin style, its name is actually a reference to time spent in Japan. Jim Rotondi explained that it was a misspelling of the Japanese request for another beer—a common phrase used by musicians on tour.
A straight-ahead jazz saxophonist, Eric Alexander is known for his sophisticated hard- and post-bop style. Born in Illinois, he began as a classical musician studying alto sax, but quickly began an obsession with the tenor saxophone at Indiana University at Bloomington. Inspired to pursue his musical pursuits further, Eric transferred to William Paterson College in New Jersey, where he studied with jazz legends like Harold Mabern, Joe Lovano, Norman Simmons and Rufus Reid. After receiving his degree, he moved back to the Midwest, where he became a fixture in the Chicago club scene touring with Charles Earland. Read more...
A major straight-ahead trumpeter and flugelhornist worldwide for twenty years, Jim Rotondi has charmed the jazz world with his warm tone, versatility and soulful improvisation. Born and raised in Montana—an unlikely place for a jazz musician—Jim was inspired by his musical family to take up the piano at age eight. At twelve, he switched to the trumpet. There was very little musical community to speak of in his hometown of Butte, but like many trumpeters, early exposure to a Clifford Brown vinyl set captured Jim's imagination and kindled within him a lifelong passion for jazz. Read more...