De-Dah is memorable for the contrast of two bars of Latin and two bars of swing in the A section. It may not be the easiest for the rhythm section, but it's well worth learning. Clifford Brown trumpet solo available in B-flat and C editions.
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The Music of Elmo Hope: Eric Reed (p) featuring Bertha Hope (p), Kenny Washington (d), Barak Mori (b), Mike Rodriguez (tpt), Joe Lovano (ts), and Wycliffe Gordon (tb) live from Miller Theater
Our recording excerpt starts with the melody. The C treble clef lead sheet shows the complete rhythm section introduction. De-Dah is an AABA form composition. The A sections alternate from two bars of Latin to two bars of swing. On the recording the soloing is "rhythm changes" for the A sections with the bridge changes from the melody.
De-Dah was originally released as a Lou Donaldson 78 rpm (Blue Note 1624, with the master take of Carvin' The Rock on the reverse side), then it was released on the 10" LP "New Faces - New Sounds: Lou Donaldson-Clifford Brown" (Blue Note BLP 5030) before being released in the LP "Clifford Brown Memorial Album" (Blue Note BLP 1526). "De-Dah" is Elmo's verbalization of the basic rhythmic figure of the melody.
For more details about Elmo Hope's recordings, check out the Elmo Hope Discography on Noal Cohen Jazz History website.
Transcribed Trumpet Solo: This Clifford Brown trumpet solo trumpet demonstrates his clarity and beautiful execution. The (A) solo sections of De-Dah are "rhythm changes," and we have indicated chord symbols related to what the bass and piano are playing. Under the staff we will occasionally indicate alterations we want to bring to your attention. B-flat and C editions are available.
An imaginative pianist who valued subtlety over virtuosity in the landscape of bebop, Elmo Hope never achieved the fame that his close friends did, perhaps because he so rejected stylistic norms of the time. Elmo was a classically trained pianist with technique rivaling that of his childhood friend Bud Powell and a composer of music whose inventiveness and complexity approaches that of Thelonious Monk. In fact, Elmo, Thelonious and Bud used to hang out so much together in the late 1940s they became known as "The Three Musketeers." Powell, in Francis Paudras' book "Dance of the Infidels" is quoted as saying, "You gotta hear Elmo. He's fabulous. His stuff is very hard. He does some things that even I have trouble playing." Read more...