Focus – James Williams
This hip composition has a melody that glides and soars. Easy solo piano arrangement available.
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- Recording: Dennis Irwin & James Williams - Focus
- Recorded on: December 6, 1977
- Label: Red Records (VPA 132)
- Concert Key: F minor
- Style: Swing (medium up)
- Piano - James Williams
- Bass - Dennis Irwin
Our lead sheet gives you the big picture. The intro suggestion is sixteen measures of E lydian for the rhythm section. James plays eight measures E lydian (Latin) on the duo recording as an intro that precedes the audio excerpt, which starts right on the melody. Note: the lead sheets under each album cover are identical.
James next recorded Focus in 1980, on his Concord album "Images (Of Things to Come)," using no introduction, starting right on the melody. The feeling is 2-feel uptempo swing (ca. 256) with "time" on the hi-hat for the melody.
Lastly, James recorded another duo version (ca. 248, sixteen-measure E lydian intro) this time with bassist Peter Washington as part of his last expansive 4 CD duo project (from "Jazz Dialogs, Vol 2").
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- Recording: James Williams - Images (Of Things To Come)
- Recorded on: June, 1980
- Label: Concord (CJ 140)
- Concert Key: F minor
- Style: Swing (uptempo)
- Tenor Sax - Billy Pierce
- Piano - James Williams
- Bass - Charles Fambrough
- Drums - Carl Burnett
Tenor saxophonist Billy Pierce plays the melody first in the octave where it's written in our B♭ lead sheet. On the second melody chorus he plays the first eight measures an octave higher.
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- Recording: Bill Easley - Wind Inventions
- Recorded on: September 1 & 2, 1986
- Label: Sunnyside (SSC 1022D)
- Concert Key: F minor
- Style: Latin (uptempo)
- Clarinet - Bill Easley
- Piano - Mulgrew Miller
- Bass - Victor Gaskin
- Drums - Tony Reedus
The lead sheet also includes James's tag coda that he often used.

James Williams
Mar 8, 1951 – Jul 20, 2004
James Williams' distinguished career began in the city in which he was raised: Memphis, Tennessee. Having taken up piano at the age of thirteen, he graduated from Memphis State University in the early seventies and threw himself into his city's jazz community. Only a year after attaining his degree, Williams was hired as a professor at Berklee College of Music in Boston, Massachusetts. Coming to a new city opened up an entirely new scene for the young pianist, who began to play as a sideman for visiting artists like Red Norvo, Art Farmer, Sonny Stitt and Milt Jackson. When Art Blakey met him in 1977, he convinced the then-26 year-old Williams to resign from Berklee and go on tour with the Jazz Messengers, a post he held for the next four years and with whom he would win a Grammy Award nomination for the album "Straight Ahead." Read more...