This evocative uptempo swing begins and ends with a hunting call, which kicks off a scrambling chase through the keys. Fox Hunt is equal parts captivating and challenging!
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Our audio excerpt starts on the melody which has a strong 2-feel. There's an interesting chromatic downward-moving bass line, which turns around and moves upward chromatically. Then it moves down in whole steps, dissonant and easy-swinging. Bill Barron's music, always challenging, is well worth investigating.
What would a fox hunt be without a hunting horn? Bill wrote a quaisi hunting horn intro for trumpeter Ted Curson, which is notated in the parts. The horn call starts and ends the recording. The piece is not in any one key. Am11 is the first chord (concert) of the melody.
Philadelphia-born tenor saxophonist Bill Barron was also a gifted composer. His first record date was with Cecil Taylor in 1959. In November of that year he recorded Interpretation with drummer Philly Joe Jones on the Riverside label. Barron continued to perform and record with Jones through 1960. In 1961 he started recording as a leader for Savoy records and began his association with trumpeter Ted Curson which resulted in several more recordings. Barron also had a successful career as an educator in the NY area, directing a jazz workshop at the Children's Museum in Brooklyn, and teaching at City College of New York, before leaving the city to become the chairman of the music department at Wesleyan University. He also introduced his younger brother, pianist Kenny Barron, to the jazz recording world and featured him on most of his own recordings. Read more...