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Rahsaan's title of this ballad, The Haunted Melody, could not be more apt. The melody has a tragic quality to it—a nostalgia that haunts its beauty, making the ballad heart-wrenchingly emotive. Rahsaan plays the A sections of the melody on manzello, and the bridge and also the light swing solo section over the repeat of the bridge section on tenor sax. For the climax in the last two measures of the bridge, Rahsaan plays the melody in octaves with both horns!
When it returns to the ballad feel on the last C section out, it really sings. Our audio excerpt begins right at the head and goes through the first A section.
The Haunted Melody comes from Rahsaan's fourth album, "We Free Kings" (titled after his playful adaptation of the classic Christmas carol We Three Kings that appears on the album). Released in 1961, "We Free Kings" included many of the unique hallmarks that epitomized Rahsaan's style. On this ballad you can hear him play both the manzello (a modified soprano sax) and the tenor sax simultaneously in harmony; Rahsaan's unusual instruments and ability to play multiple instruments at once is one of the best-known elements of his style.
Rahsaan's three-horn arrangement/performance skills are also featured in Three For The Festival.
With a stritch dangling below his knees, manzello and tenor sax hanging from his neck and a hodgepodge of various homemade instruments, Roland Kirk was a surreal, innovative and inspiring saxophonist who was intensely serious about music. Born in Columbus, Ohio, he became blind at an early age. Taking up an assortment of instruments early on, he began playing tenor sax professionally in R&B bands by the age of 15. Infatuated by the manzello (saxello soprano) and stritch (straight alto saxophone), he reshaped the saxes so he could play all three simultaneously, evident in his first recording in 1956, "Triple Threat." By 1960 he had incorporated the siren whistle into his solos, and by 1963 had mastered circular breathing. Even while playing two or three saxophones at once, Kirk's music was powerful jazz with a strong feel for the blues. Read more...