Karita is a tasty and relaxed medium Latin composition. The melody is based around a single syncopated rhythm which eventually develops into longer lines in the bridge. Rhythm section hits in the A sections accent this syncopation and build intensity throughout the head. In order to lock in with these hits, Watson does not add his own embellishments, except on the bridge.
The tune is based in E♭ major, however the tonic is only played at the beginning of each A section. The lack of resolution at the end of each section provides a sense of harmonic anticipation and creates a greater pull towards the tonic. The bridge is centered around A♭ major, however, with simpler chord changes than the A sections. Watson adds a good amount of tritone substitutions and other alterations to add harmonic interest, particularly at the end of the A sections where the melody remains on one note. The solos in this recording are supported by a relaxed Latin groove with a strong two-feel in the bass, allowing for rhythmic experimentation on the part of the soloist.
This was the first recording of Karita, a composition that came about as part of Watson's desire to write a composition for every member of his family, this one for his wife Pamela's sister, Karita, who plays trombone.
Karita was also recorded on Bobby's Amigo album "Jewel" in 1983 and again in 1984 on "Advance."
Robert "Bobby" Watson, who was born and raised in Kansas City, Kansas, grew up to become a jazz saxophonist, composer, arranger and education of formidable talent and acclaim. He got his degree from the University of Miami before becoming a member (and later the musical director) of legendary drummer Art Blakey's Jazz Messengers. He remained an invaluable member for four years, from 1977 until 1981. Read more...
