Libra – Roland Alexander
This minor-key medium-up swinger was never recorded by Roland Alexander. We've brought it to life with our recording featuring Roland's son Taru Alexander on drums. Minus You tracks are available for all instruments.
- Leadsheets $1.49 /ea
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- MP3 Audio Tracks $1.49 /ea
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- Extras $1.49 /ea
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All selected items will be available for download after purchase.
- Recording: Taru Alexander - Kojo Time
- Recorded on: September 21, 2014
- Label: jazzleadsheets.com (JLS 1020)
- Concert Key: C minor
- Style: Swing (medium up)
- Trumpet - Don Sickler
- Alto Sax, Tenor Sax - Elijah Shiffer
- Piano - Ben Rosenblum
- Bass - Marty Jaffe
- Drums - Taru Alexander
The melody here is simple, mostly pentatonic in a bluesy vein. The bridge has an unusual descending harmonic structure with mostly m7♭5 chords; the melody also descends, and several piano hits complement the melody. The end of the bridge skips upward from Bm7♭5 to Dm7♭5 to return to the tonic C minor. The fifth measure of the C section differs subtly from that of the A section: while retaining the same melody note and root, the quality is D7(♯9) rather than Dm7♭5 in the A section. The melody note F thus becomes a ♯ ninth instead of a minor third. This is reflected in the two-horn voicing (see below) and also kept in the solo changes.
Taru Alexander sets up the tempo with a one-measure figure before the melody pickup; this is shown on all lead sheets and parts. The coda tags the last four measures two more times.
The lead sheet is the first part in the quintet arrangement. Second parts are available. The horns are harmonized for much of the melody except the stop-time breaks, with the second part often outlining the changes while the melody is more static. Rhythm section parts available.
Libra is Roland Alexander's example of a sort of tradition among jazz composers of that generation, that of naming a song for their astrological sign. Better-known examples of this include Wayne Shorter's Virgo and Freddie Hubbard's Aries. Don Patterson's Aries is another lesser-known example.
CLIP The form of the full track is:
-- melody
-- trumpet solo 2 choruses
-- alto sax solo 2 choruses
-- horns trading 8s with drums 3 choruses
-- out melody
-- coda
mp3 minus melody -- drum figure sets up the melody
-- play the melody
practice edition: solo 4 choruses
performance edition: solo 2 choruses
-- trade eights with drums 3 choruses
-- play the out melody and coda
performance edition: solo 2 choruses, trade 8s with drums 2 choruses
mp3 minus Piano
-- drum figure sets up the melody
-- play figures and comp for the melody
-- comp for the trumpet and alto sax solos (2 choruses each)
-- comp for horns trading eights with drums 3 choruses
-- play figures and comp for the out melody and coda
mp3 minus Bass
-- drum figure sets up the melody
-- play figures and walk for the melody
-- walk for the trumpet and alto sax solos (2 choruses each)
-- walk for horns trading eights with drums 3 choruses
-- play figures and walk for the out melody and coda
mp3 minus Drums
-- count off sets up the melody
-- play figures and comp for the melody
-- comp for the trumpet and alto sax solos (2 choruses each)
-- trade eights with horns 3 choruses (snaps added on beat 3 of each measure) clip
-- play figures and comp for the out melody and coda
mp3 Bass & Drums only - to feature piano, guitar, vibes, or any melodic instrument that likes to play without harmonic accompaniment.
-- melody
-- solo 4 choruses
-- trade 8s with drums 3 choruses
-- out melody
-- coda

Roland Alexander
Sep 25, 1935 – Jun 14, 2006
Although he never received the credit he was due, the versatile tenor saxophonist Roland Alexander started his career with an unexpected break at age twenty when he made his recording debut—on piano. Born and raised in Boston, Massachusetts, Roland was trained both formally at Boston Conservatory and through day-to-day gig experience, so he was skilled enough to step in when the scheduled pianist (believed to be Red Garland) didn’t make a Paul Chambers session that Roland was observing on April 20, 1956. He was asked to sit in on piano for the blues Trane’s Strain, which was quite a break for the young musician, as the other players on the session were well-known names like John Coltrane, Curtis Fuller, Pepper Adams, and the rest of Miles Davis' current rhythm section, Paul Chambers on bass and Philly Joe Jones on drums. Read more...