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Los Milagros Pequeños ("The Little Miracles"), is a Latin chart with an aura of mystery. The slow melody drifts over the repeating bass line, which bassist Lisle Atkinson embellishes with slides between the notes to add to the enigmatic mood.
This composition was originally intended to be part of a classical-jazz hybrid suite called "Gremlins And Pixies." Norman envisioned the suite to be a reflection on the inner child hidden within every adult. He scored the suite for symphony orchestra, but unfortunately the orchestra shut down before performing the piece. Fortunately, the individual movements are beautiful and meaningful individually and, although Norman had classical influences in his composing of the suite, the pieces are all distinctly jazz and perfect for soloing.
Take a listen to Norman's Good Humors and read the Historical Notes for information about drummer Vernell Fournier. See all available titles on the album.
Solo Piano Arrangement: In addition to the lead sheet, we also have an arrangement for solo piano. This arrangement is not simplified at all—it's Norman's own arrangement—but it is very well-suited for intermediate pianists who want more practice with Latin grooves. Check out our exclusive audio of pianist Kenny Drew Jr. playing this arrangement piano.
Accomplished soloist, accompanist, composer and educator, Norman Simmons is well known as a pianist with an great ability to connect with jazz singers. Born in Chicago, Simmons taught himself piano and at age sixteen enrolled in the Chicago School of Music. He formed his own group in 1949 and began recording in 1952 when he worked as a house pianist for Chicago clubs The BeeHive and the C&C Lounge. During this period, his first recordings were under the leadership of tenor saxophonists Claude McLin, Paul Bascomb and Coleman Hawkins. Read more...
