Love And Deception – Sergio Mihanovich
This intriguing song can be sung as a ballad or a bossa. Full tracks recorded by Nancy Valentine exclusively for jazzleadsheets.com and Minus You practice tracks without vocals are available in both styles.
- Vocals $1.49 /ea
- MP3 Audio Tracks $1.49 /ea
All selected items will be available for download after purchase.
- Recording: Nancy Valentine - The JazzLeadSheets Songbook
- Recorded on: July 20, 2008
- Label: jazzleadsheets.com (JLS 1011)
- Concert Key: C
- Vocal Range: Alto, G3 to A4
- Style: Ballad
- Vocal - Nancy Valentine
- Piano - Cecilia Coleman
- Bass - Tim Givens
- Drums - Vince Cherico
- Emily Parasiliti for jazzleadsheets.com explains why our Minus You tracks have become so important for her. She sings Love And Deception with the Bossa Minus You melody track, and then with the Ballad track.
Check out the bossa version bossa.
Lyric Description: In this rueful lyric, the narrator shares a lesson learned after an unrequited love affair: love is all too frequently complicated with deception on both sides of the equation.
No-vocal versions: Both the complete ballad and bossa recordings are also available without the vocal track, in MP3 format, so you can have your chance to express the song with the rhythm section. Each version begins with a two-measure set up by the rhythm section and go through the head just one time.
If another key would be better for you, send the key you'd like to Don and we'll post the transposition on the website for purchase. If you're not sure which key is best, send us your range and we'll work with you to figure out the best key.
This lead sheet is also found in our Sing JAZZ! songbook, a collection of stunning, lesser-known vocal selections from the Second Floor Music repertoire (Sing JAZZ! contents).
Hear more of Nancy Valentine on "The JazzLeadSheets Songbook."
Sergio Mihanovich
May 8, 1937 – May 7, 2012
Sergio Mihanovich was a beloved composer in his native Buenos Aires. In Argentina, Sergio was active in many areas: writing soundtracks for Argentine films and theatrical productions; working in nightclubs; recording in both jazz (performing and recording with saxophonist Gato Barbieri) and pop settings; as an educator; and as a writer of both music and words. In the 1960s Sergio lived in the United States for a time, writing the songs that eventually became part of the Second Floor Music catalog and working as a pianist/vocalist/composer. Read more...