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Our audio excerpt starts with the intro. The melody is full of arpeggiated chordal lines which are easier for a pianist than a horn player, but great practice for horn players. As you can hear, this one flies. It is an AABA format, with soloing on the bridge.
This is the real uptempo arrangement on Elmo's first trio date as a leader. They did two takes that day, and both are available at Amazon and iTunes. Happy Hour and several other compositions from this recording are also available on jazzleadsheets.com.
For more details about Elmo Hope's recordings, check out the Elmo Hope Discography on Noal Cohen's Jazz History website.
An imaginative pianist who valued subtlety over virtuosity in the landscape of bebop, Elmo Hope never achieved the fame that his close friends did, perhaps because he so rejected stylistic norms of the time. Elmo was a classically trained pianist with technique rivaling that of his childhood friend Bud Powell and a composer of music whose inventiveness and complexity approaches that of Thelonious Monk. In fact, Elmo, Thelonious and Bud used to hang out so much together in the late 1940s they became known as "The Three Musketeers." Powell, in Francis Paudras' book "Dance of the Infidels" is quoted as saying, "You gotta hear Elmo. He's fabulous. His stuff is very hard. He does some things that even I have trouble playing." Read more...