A dramatic song with a stop-time vamp A section and a laid-back, bluesy B section. A complete melody and solo transcription is available for Donald's 1997 solo piano recording ("The Classic Introvert").
Striking and dramatic in Donald Brown's distinctive style, Phineas has two contrasting sections. The A section repeats a two-measure stop-time figure four times with the whole band. There's no melody in the breaks between the hits; instead the piano solos with spare, light fills over minimal drums (hi-hat on 2 and 4, cross stick on 4). At this slow tempo, tension really builds in these breaks. The rhythm section comes in with a 2-feel for the B section: 12 measures of flowing, bluesy melody over a colorful set of changes. Though the A section chord is Em11, the key center of E♭ major is established toward the end of the B section.
Solos are on the same form as the head, with the same A section stop-time and slightly simplified B section changes. After the out head, the A section is repeated again, vamping and fading out. A bass part is available; it comes from Donald's original manuscript.
Our lead sheets include the two-horn harmonies from the recording. The A section hits are voiced in thirds, and the last measure of the B section is also harmonized.
Note that the lead sheets available under each album cover are the same, except Donald's transcribed piano solo from "The Classic Introvert" is available only under that cover.
Recorded three months after Phineas Newborn, Jr. died, "Sources Of Inspiration" was Donald Brown's third album as a leader and his first of three at Van Gelder Studio in Englewood Cliffs, New Jersey. Donald recorded his tribute to the fellow Memphis-based pianist again twice in 1997: on trombonist Larry McClellan's quintet album "Movin' Up" and on his own solo piano album "The Classic Introvert"—click on the second album cover for this version. This song has also been recorded twice by alto saxophonist Vincent Herring: in 1998 on pianist Matthew Fries' album "Song For Today," and in 2017 on Vincent's own "Hard Times" with Carl Allen again on drums.
Purchasing this song through our affiliate links with certain retailers provides jazzleadsheets.com with additional support to help keep us bringing you the best lead sheets available. Thank you!
A piano melody and solo transcription is available for this recording; click on Solos for more details. This version has slightly different B section changes from the original quintet recording. More passing chords are added, mostly extra V-Is such as in the third measure where G7 is added after Cm7, leading back to Cm7 in the next measure. The fourth measure also has different chord qualities: Emaj7 to A7 rather than E7 to Amaj7. The 11th measure in this version adds a slick descending series of chords in quarter-note triplets.
Recorded in Paris, "The Classic Introvert" is an album of Donald Brown compositions, many of which he had recorded (or would go on to record) on other albums. Two songs originally recorded on "The Classic Introvert" also appear on his next album as a leader, "Enchante," in 1998 featuring Steve Nelson on vibes.
A 12-page solo piano transcription is available for this complete recording. Donald plays the head twice (1st and 2nd ending), solos twice through the form AB, and plays the out head once with the 2nd ending, vamping on the A section again as a coda. This solo is a great example of Donald's wildly creative melodic and harmonic sense. He prefaces the head by plucking two notes on the strings inside the piano before the first stop-time chords. His fills in the A sections mostly have a double-time swing feel; he uses a variety of clever chord alterations in these sections as well as in the B sections. Our transcription has detailed dynamics and articulations for an in-depth look at Donald Brown's distinctive style.
A lyrical pianist and prolific composer as well as a teacher, band leader and arranger, Donald Brown is considered one of the masters of contemporary jazz composition. Raised in Memphis, Tennessee, Donald studied trumpet and drums as a youth. It was not until he began studying at Memphis State University that he switched to piano as his primary instrument, the late start making his pianistic skill all the more incredible. Read more...