Tropopause – Geoffrey Keezer
An angular uptempo "burner" from Geoff Keezer's first album as a leader. Condensed score and second parts are available for the quintet arrangement.
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- Recording: Geoffrey Keezer - Waiting In The Wings
- Recorded on: September 16 & 17, 1988
- Label: Sunnyside (SSC 1035)
- Concert Key: No key center
- Style: Swing (uptempo)
- Trumpet - Bill Mobley
- Soprano Sax - Billy Pierce
- Piano - Geoff Keezer
- Bass - Rufus Reid
- Drums - Anthony Reedus
Solos can be open—time with no changes—around an F key center. There is also a modal optional solo section, which saxophonist Billy Pierce plays on in the recording; 36 measures long, it goes between F Phrygian, E Lydian, G/A♭ (A♭ whole/half diminished scale is good for this one) and C Phrygian.
The head is also used as an interlude between the solos. Each soloist plays the first three measures in turn after their respective solo (indicated as 1 in our lead sheets and parts), leading to a D.S. to the fourth measure to finish out the head. On the recording, drummer Tony Reedus is the last soloist; he plays the melody rhythm at 1 to cue the D.S. for the out head.
A Condensed Score and second parts are available for the quintet arrangement from the recording. The horns are harmonized in fourths in the first three measures of the in head.
The first melody phrase sounds like it's based on a 12-tone row; however, though all 12 pitches are eventually used in this phrase, there are no complete rows.
The word "tropopause" refers to the boundary between the troposphere and stratosphere layers of Earth's atmosphere. For another uptempo song with a similarly brief, busy melody and open-ended solos, check out drummer Tony Reedus' The Far Side.

Geoffrey Keezer
born on Nov 20, 1970
A lauded name on the jazz scene since the tender age of 17, Geoffrey Keezer is a native of Eau Claire, Wisconsin. Geoff took up the piano at age three and quickly showed himself to be a prodigy. As an eighteen-year-old freshman at Berklee College of Music in 1989, he was invited to join Art Blakey's Jazz Messengers, launching his talents into the spotlight. The year before, his mentor James Williams encouraged him to record his debut album, the well-received "Waiting In The Wings." His career continued to take off in the early 1990s with a performance at the Hollywood Bowl of Gershwin's Rhapsody In Blue (conducted by John Mauceri). Read more...