Why Weep – Eli "Lucky" Thompson
A medium-up minor blues head in Lucky Thompson's signature warm, elegant style. There are a few two-part harmonies which are shown in our lead sheets.
- Leadsheets $1.99 /ea
- In Basket
- In Basket
- In Basket
- In Basket
All selected items will be available for download after purchase.
- Recording: Lucky Thompson - Lucky Thompson And His Orchestra
- Recorded on: April 5, 1956
- Label: French Columbia (FP 1083)
- Concert Key: F minor
- Style: Swing (medium up)
- Tenor Sax - Lucky Thompson, Guy Lafitte
- Piano - Martial Solal
- Bass - Benoit Quersin
- Drums - Roger Paraboschi
There is an eight-measure piano intro on the recording, not shown in our lead sheet. The second chorus of the in head ends with a two-measure solo break; on the recording, the rhythm section keeps playing until the second to last measure, but it could work just as well with both measures being a break. The ending holds out an unresolved C7(♯9).
The horns play unison for most of the head, going to tight harmonies (thirds and seconds) only on the last melody phrase. Because this is the only place with harmony, we have decided to include it in our lead sheet instead of having first and second parts.
For another F minor blues that Lucky Thompson recorded in Paris in 1956, check out A Minor Delight.

Eli "Lucky" Thompson
Jun 16, 1923 – Jul 30, 2005
Saxophonist Lucky Thompson is one of the great treasures of jazz. He was born in Columbia, South Carolina, but was raised in Detroit, Michigan. He played in local groups with Hank Jones, Sonny Stitt and others. In August, 1943, when he was 19, he left Detroit with Lionel Hampton's Orchestra, eventually arriving in New York City. Still a teenager, his first recording date was with Hot Lips Page on March 18, 1944. Later in 1944 he started recording with both Lucky Millinder and Count Basie. Read more...